Select a currency:  

Film / Cinema > Australian Cinema

Kostas

Film by Paul Cox

> Create estimates
> Pay by Credit Card, PayPal
> Submit Purchase Order (approved institutes only)

Kostas


License

DVD Price $150
Streaming Price (1 year) $150
Streaming Price (1 year) + DVD $225
Streaming Price (3 years) $360
Streaming Price (3 years) + DVD $435

  View Basket  

view wishlist
  • Description / Preview
  • About the People
  • Reviews
  • Availability

 

gift box
  Watch or Download NOW! for private home use.

Filmed in Melbourne, Kostas is a love story in which a Greek and an Australian struggle with the barriers of their cultural differences. It is set against a background of Melbourne's Greek community and the lifestyle of an Anglo-Saxon divorcee. Takis Emmanuel, known for his roles in Caddie, Who Pays the Ferryman, The Magus and Zorba the Greek, came to Australia to play Kostas. Wendy Hughes (Carol) subsequently went on to work with Paul Cox in Lonely Hearts and My First Wife and is one of Australia's leading film, television and theatre actresses.

<img src="http://www.artfilms.com.au/promo/December2013/WinACamera2013/images/christmasgifts.png" alt="Giftbox" width="80" border="0" align="right" height="95">


Director:
Paul Cox
Producer: Bernard Eddy
Writer: Linda Aronson
Cinematographer: Vittorio Bernini

Cast: Takis Emmanuel, Wendy Hughes, Kris McQuade

Born in Holland and settled in Melbourne since the mid-‘60s, Paul Cox is an auteur of international acclaim, having received numerous international awards.  He is one of the most prolific makers of films in Australia, with numerous features, shorts and documentaries to his name. He is the recipient of many special tributes and retrospectives at film festivals across the world, including a major retrospective at the Lincoln Centre in New York in 1992.

His films of the early and mid ‘80s – Lonely Hearts (1981), Man of Flowers (1983), and My First Wife (1984) – were highly acclaimed both locally and internationally. 
Man of Flowers premiered in Un Certain Regard at the Cannes Film Festival in 1984, and went on to win Best Film at the 1984 Valladolid Film Festival as well as Best Foreign Film at the 1991 Warsaw Film Festival.
Cactus premiered in Director's Fortnight at the Cannes Film Festival in 1986 and Vincent won the Jury Prize at the 1988 Istanbul International Filmdays.
A Woman's Tale won the Grand Prix at the 1992 International Flanders Film Festival in Ghent and Exile screened in competition at the 1994 Berlin International Film Festival.

More recently, Cox's highly acclaimed feature Innocence (2000) won massive audience and critical acclaim, including Best Film and the People's Choice Award at the 2000 Montreal World Film Festival; and 5 Australian IF awards including Best Film, Independent Filmmaker of the Year for Paul Cox, and Best Actress for Julia Blake.

Cox’s career continues currently, with features such as Human Touch (2004) and Salvation (2008).


Paul Cox is one of the most important filmmakers to come out of Australia ... he is a filmmaker of incredible energy, persistence and vision - all qualities which are crucial to survive as a filmmaker. He is also uncompromising in fulfilling his vision which is almost always achieved with comparatively small budgets of about $1 million. As a director, he has an ongoing screen relationship with many of Australia's greatest actors. The themes in his films - isolation, faith, hope, love, survival - remain the same and reoccur over and over, but above all else his films are about human frailty ... The visual style of his films is simple. Paul Cox films are not about and do not contain special effects. They do not generally involve complicated production set-ups. There are rarely crane shots - a simple tracking shot is usually about as complex as it gets. It is worth recalling the 540-degree opening shot
Cactus (1986). As a director, he is more concerned with story telling and capturing the performance of his actors. Light is often a strong motivating element in any Paul Cox film. His cinematography often uses strong shadows and he is not afraid to include considerable darkness in the frame. Many Paul Cox films also contain repeating motifs, such as the use of grainy Super 8 footage of someone's point-of-view looking up through the treetops towards the sky.

Philip Tyndall, "Paul Cox - Filmmaker", Senses of Cinema

Item is available worldwide.
Ships in 2-3 days

Similar Titles in Australian Cinema

Choose a subject area below